Actually, I frickin' despise show tunes, but I would like to see Dexer come out of the closet and do a version "Chorus Line" in red pumps, CMFM shoes.
More Show Tunes!!!
Right, I am using only the 57 in acoustic situations, I don't touch the mic when I am playing harmonica, I get close or farther away depending on the tune, what I am adding, and of course taking into consideration the room acoustics. Think Sonny Terry,
Joe Filisko, Kim Wilson, style of acoustic playing. The heavy use of hands makes holding the mic obsolete, it'll sound better playing close and shaping notes and using hand FX.
Make big deal outta using the cup, tell the crowd you went all the way to Corning New York to have a "Harmonica Resonator" made especially for you, or some such BS, this is a great time for interacting with the crowd and adding a bit of brevity to the mix
I use a Shure SM57 for what I refer to as acoustic style play, meaning I don't cup the mic, but rather I play to the mic much like a singer would use it. Since I do 99% of the singing I am using my vocal mic and just leave it in the stand whether seated or standing. I use this set-up mostly in situations with acoustic instruments, I don't cup or hold the mic I can use my hands to shape notes and add effects.
When I play with electric guitars and bass, I use an Astatic JT30 thru a '79 Fender Super Reverb with a LW Harp Break. I cup this mic as securely as possible to drive the element and amp for that "Fat" Chicago style tone. These two techniques sound quite different from each other as you know, but I can always incorporate the "acoustic" style approach in any situation since I
have a focal mic, but, I would never try to achieve the overdriven tone with a vocal mic, since it being set up for vocals (1-3 inches away, in my case) it would howl like a banshee with feedback when cupped.
For a VERY cool FX when playing acoustic I use a glass coffee cup as a resonant chamber, nice round "sweet" sounding notes, definitely give this a try, the audience will love it! Having fun and enjoying the communal moment with band and audience is what I enjoy the most when playing music live. Good Luck!
Thanks. Whaddaya think? Thanks for lookin'. Thank you again. No no, thank you.
I am what is referred to as "old school," I still use my ears to figure out runs, riffs, etc.
The guitar player in the group I play with swears by The Amazing SlowDowner from
Roni Music, ronimusic.com/ He plays the Hell out of "Hot Rod Lincoln" and
attributes it to being able to break it down with the SlowDowner. Zero pitch change,
no matter how slow the segment.
I play diatonics and 64 chromatics, I would like to think I play each with equal aplomb, but I know I'm better on the diatonic.
My favorite harmonica is one that is in tune and has a smooth comb surface. I recently acquired a Hohner 64 Chromonica in
C that Danny G dates to the late 60's early 70's, it plays superbly. I'm working up Rod Piazza's "Devil's Foot", cool tune.
I want to add more Chromatic tunes to our bands repertoire.
I have several different makes and models of harmonicas, a half dozen "custom" harmonicas, I am partial to the Hohner sound with Seydel a close second.
"Playin' harmonica is like whacking off. You mess with it long enuff, you'll figure it out!" Delbert McClinton
Oh hell yeah!!
I don't have any reason to be thanked. I haven't posted anything, seems strange to me.
@Roach/all Will is a smart player and excellent teacher, highly recommended.
Man I know what you mean about strayin' from the O, Sarge called a couple weeks ago to ask me about
Rod Piazza's "Little Bitty Pretty One/Rockin' Robin" medley, I was outside getting my boat ready to go fishin
and didn't have a harp on me but was able to tell Jim what key and position Rod was usin from memory cause
I play it. When I got back inside I picked up a harp and played it thru once and said yeah it's in A on a D 2nd pos.
My wife liked it, my co-worker and fishin' buddy ( who plays a bit) said it sounded good.
But, a couple days later Sarge posts the Piazza version here at the HC, not having listened to it in a while I did
and soon realized that what I play and what Rod was playin weren't the same. I listen to recordings with the band I play
with and often am amazed that although it sounds good, it isn't any thing like the original we learned it from.
A new drummer once asked my bass player about rehearsals, Don said we try to have them but when we can't, just
I am doubtful your new plates will fit without drilling the comb. What you have is an older model Golden Melody, Hohner used the same pins to attach the reed plates as they continue to use on the Marine band 1986 to this day. The screws sent are of too
large a diameter for the comb. The new reed plates are drilled and tapped to receive the screws provided, the pins would not hold the new plates securely if at all. The comb on the GM is acrylic and quite brittle and often crack when drilled. *Ron has GM combs and mouth covers too if you find you need them.
I used a comb made by Blue Moon Harmonicas to rebuild my old pin assembled GM, I had to drill and tap the plates, but I have the tools necessary, I even had Tom at Blue Moon powder coat the mouth covers white which made it real smooth overall with the new comb. You can find Blue Moon Combs here: bluemoonharmonicas.com
*Rockin Ron's Music
Fish cleaning is kind of a dead end job here at Petey Pete's Fish Camp. Not a lot of room for advancement.
Now the guys that bait my hooks have the opportunity to advance. They start an Apprenticeship, advance to
Journeyman, and if they study and work hard can become a MasterBaiter in only 2 short years.
Got seven on *Senkos last time out, been really windy, have to go when I can, play hooky from work even.
Gonna try to get out tomorrow 'spose to be windy tho, have to find a phosphate pit with a wind break.
Watermelon Black W/redflake seems to be the color they're likin lately, Junebug is always a confidence color too.
Ciao for now,