I really enjoy For Sale, Buy, Trade, sections of harmonica related sites I visit.
I have made many friends and done some great deals thru these pages.
Thank you for offering the service here.
@All, If anyone is interested I have a couple harp amps, harp mics, guitar, and
several custom harmonicas I am letting go of, send me a message if you
want more info.
Wow! For those who don't know, you can click on a button and be told when someone is responding to a topic you have entered. But something new has been added! I just got a note that someone had responded to the hootbox topic, but new to this the e-mail included the new comment! How cool, and what a great addition. Thanks to Seamus and all who have the know-how to make things better.
Oh, yeah. Thanks for the research and info, Reed.
Davey Godman copied the Hohner Harmonette. The Harmonette was first introduced in 1909,
Hohner put out some re-issues a few years ago, I remember them being red with a
silk screening on them, and at the time were made of Black Forest Pine. You may
search some vendors or the web for photos, descriptions, or availability. What Davey and
George are building look very similar and I am guessing perform the same, however I am
a big proponent of "sonic resonance" simply meaning difference in density of materials used
in making the body can have an effect on the tone of the "box". The term "Hoot Box", as best
I can find, comes from down under way and were/are very popular in New Zealand and Australia.
Getting the blow reed to stop is the first step toward an overblow, close gapping the blow
reed can help as well as gapping the draw reed a bit closer. As far as embouchure for the
overblow in hole six use the same embouchure as the draw bend (half step) in hole six, this
will allow for the same resonance shape in your mouth. A practice is to hit the draw bend in
hole six and them while holding the same resonant mouth shape try to hit the blow bend. The
other way of familiarizing yourself with the sound of the bend (the pitch raises) is to remove the
mouth covers from your harmonica and manually stopping the blow reeds activation. Hearing
the pitch of the bend is a great help in forming your mouth to the correct resonance.
I repair and do custom harmonica builds (hence the handle) I can tell you that a harmonica set
up to facilitate overblows will not be as responsive as one set up to play to its optimum, The
overblow is a compromised harmonica that will not respond to an aggressive attack because
the reed tolerances are so close. A hard attack will cause the reed to choke off and not sound
at all, remember that the overblow needs no more force to play than a normal bend.
You can find much more info on overblows here: www.overblow.com
If you have any questions regarding set up or maintenance of your harmonica feel free to post
I will do my best to answer promptly and to the best of my ability.
Hi Knud and welcome to the new site. Its great to have you here. I intend rebuilding the tab page but it may take a while. The old site was starting to fail because the software was no longer being updated and becoming vulnerable to attack, so I had to act fast which means it'll be a while before this site is fully built.
I've started another discussion where people can suggest tab sites for addition to our links page. Hopefully this will be helpful.
The previous/old site had a Tabs-section with hundreds of tabs for songs you can't find anywhere else. I know because i, among others, made a whole bunch of them. They are gone now!! I don't really care - because i learned a lot by doing them. You have to listen really carefully to the song to make them. Also you have to think which position is the best to play in.
If you need some advice (in this seection some tabs) about how to play a song - then post here in this forum. Just remember to be precise about it. A link to the song at Youtube will do.
Before posting use Google - maybe they already are made. There are several places with tabs. One of them is www.harptabs.com/ - but they are not all good. But try - lots and lots.
Maybe someone could post some links, where it's easy to find tabs - maybe here:: www.harmonicaclub.com/home/harmonica-links
Welcome across Gav
Someone had to say it.
So I did.
There are several websites out there with tabs for songs. One I used to use a lot was Harptabs (www.harptabs.com/). Back in the day when I was building repertoire. I've since moved to focus on techniques and improvising around a few key songs, with the occasional jam to a record.
Other tab sites include:
I actually find the best way to learn a song is to develop your ear, i.e. tab it yourself. But this takes a lot of effort, thus the success in learning. I have only done it two or three times because of the effort involved. But it really works.
I'm trying to learn how to overblow on hole six and get to the 'it stops sounding' stage. Apparently this is the first step in getting the overblow.
Just wondered if anyone had any tips. I've been advised that you just apply the technique used to overblow hole 7, which has got me to the no sound stage. I'm starting to get squeaks which is good. Though not for the poor cat.
Looks like you've already discovered the best way to improve. Practise, practise - listen to music - practise practise - listen to music - perhaps try and copy. Then practise.
Been playing ?? Learning to play for 5 months,I am getting better,practise every night,
This may depend on how you define "best".
My problem with the Seydel harp is that I don't think it's particularly good value . There's nothing wrong with it...other than the fact that it's more expensive than the Bluesmaster and I can't say it's any better.
Seydel is known as a maker of high end harmonicas. Their main claim to fame is the stainless steel reeds used on many of their harps. I have a good number of Seydels (nine, I think). I'm a huge fan of the steel reed harps. I have six Blues Session Steels. That's more than any other line of harps in my collection.
The Blues Session Standard is sort of Seydel's entry level harp. It's in a very competitive segment of the market and, in my opinion, the Standard doesn't really distinguish itself. Again, I have found nothing "wrong" with the Standard. It's just that the Bluesmaster is cheaper and seems to be just as good. I play Bluesmasters every day.
I love Seydels and, if you really want to own one, I'd suggest spending a few more bucks and jumping to the Session Steel. For everyday playing, I think the Bluesmaster is one of the best values in the harmonica world.
I would like to have some opinions on whichis best Seydel Blues Standard or Suzuki Bluesmaster?